Contents

ALMANAC
Issue 6 (2014)

I. THEORY AND HISTORY

Quaerendo Invenietis. The Canon, or the Secret Musical Knowledge
Neva Krysteva

The Venetian Polychoral Style in the Motets of J. S. Bach and the Musical Form of the Text
Yakos Dimitriu

Sound in Theatre as an Archive Document
Pavel Stefanov

II. PEDAGOGY

Preschool and Elementary School Children Creative Thinking Development: Sounding out a Literature Text by Means of Music
Petya Stefanova

Violin Playing Position
Cvetozar Vutev

Instructive Literature in Trumpet School Practice in Bulgaria
Kiril Makedonsky

III. PERFORMANCE PRACTICE

Real Performance Possibilities of Cello Players of Baroque and Classicism
Hristo Hristov

Eugine Ysaÿe’s Six Sonatas for Solo Violin, op. 27. Technical problems and means of their solution
Nikolay Spassov

Piano Sonata for Four Hands by Francis Poulenc. Genre, Style and Interpretation Aspects.
Evgenia Simeоnova

Nenov’s Violin and Piano Sonata Originality and Comparison with Pieces by Franck, Szymanowski, Skryabin, Bloch
Margarita Ilieva

Sonatina for Violin and Piano (1979) by Lazar Nikolov – Performer’s Guideline
Gergana Ilcheva

Carillon
Sabin Levi

IV. LIBRARY AND SOUND ARCHIVE

New Information Space and its Impact on Music Academic Society
Ina Pavlova

V. DEBUTS

Shostakovich’s 9th Symphony: Conductor’s Perspective Beyond the Score
Kalina Georgieva