Contents

ALMANAC
Issue 5 (2013)

I. NAMES AND TRADITIONS IN NMA

Anniversary – Seventy-five Years Since Pianist Anton Dikov’s Birth (1938 – 2004)
Chief Assist. Prof. Elena Dikova

Prof. Mati Pinkas’ Theme-oriented Concerts – The Artist’s Innovative Approach
Chief Assist. Prof. Elitsa Neshevska

II. MUSICAL AND RESEARCH ART

Musical Education in Aristides Quintilianus’ “On Music”
Prof. Lyudmila Alexandrova, Sc.D., Nadezhda Lyamkina, Novosibirsk State Conservatory (Academy) “M. I. Glinka”

Yana Yazova – Musical and Cultural Parallels. A Hypothesis of Drama as a Musical Creation Inventio. Arnold Schering, Beethoven und Die Dichtung
Prof. Neva Krysteva, Ph.D.

Prof. Nikolay Kaufman’s Arrangements of Jewish Songs
Chief Assist. Prof. Sabin Levi, D.M.A.

Implied Polyphony
Prof. Velislav Zaimov, Ph.D.

Solfège – Current Aspects of Music Perception Structure
Assoc. Prof. Angelina Petrova, Ph.D.

Psychoacoustic Principles as an Artistic Manipulation Method in the Process of Music Creation and Audio Production
Chief Assist. Prof. Kremena Angelova

III. MUSIC PERFORMANCE ART

Development of the Violoncello and Leading German Cello Schools of Pedagogy of the 19th Century
Hristo Hristov, D.Sc.

An Innovative Method for Initial Training in Trombone – a Historic-Organological Aspect
Stanislav Potchekansky

Musical and Interpretational Difficulties in Quartet № 4 “MicroQuartet” by Marin Goleminov
Ognyan Konstantinov, Ph.D.

Harmonic Features in Modest Mussorgsky’s Piano oevre
Vlada Bespalova, Ph.D.

Cosmic Vision and Space Symbolism in Scriabin’s Last Sonata
Prof. Atanas Kurtev, Ph.D.

Yordan Goshev’s Еtudes – a Serious Challenge for the Modern Pianist
Prof. Rostislav Yovchev, Ph.D.

Bulgarian National Radio Folk Song Ensemble – the Chorale in the Opening Stage of Its Creation
Victoria Christova

Bulgarian Choral Art and Choir Interpretation – Interaction and Mutual Dependence
Chief Assist. Prof. Vaniliya Kisyova

The Voice Part and the Orchestra as an Element in the Musical Dramaturgy
Prof. Christo Ignatov, Ph.D.

Actor’s Creative Process
Prof. Tsonka Velikova

Chamber-Vocal Music Making in the Learning Process – the Role of the Teacher-Pianist in Creating an Ensemble
Chief. Assist. Prof. Boryana Lambreva, Ph.D.

Chamber Ensembles with Vocal Duet
Chief Assist. Prof. Galina Apostolova, Ph.D.

The Musical “Sluzhbogontsi”(“Career Chasers”) by Parashkev Hadjiev. Directorial Touch and Reference Points before the Performance
Assoc. Prof. Violeta Gorcheva, Ph.D.

Shakespeare, Boito, Verdi and the Birth of “Falstaff” – a Masterpiece of the Comic Genre
Girgina Girginova

Improvisation in Jazz Dance as Means of Students’ Creative Development
Asst. Prof. Radoslav Radev

Creative Abilities of People with Permanent Disabilities and Their Integration Through Music-Stage Art
Vyara Dimitrova, Ph.D.

IV. DEBUTS

Fragments of Musical Life in Svishtov During the Second Half of the Nineteenth Centuty
Ralitsa Dimitrova

V. LIBRARY AND SOUND ARCHIVE

Modern Methods for Citation Dynamics Determination in Scientific Publications
Ina Pavlova