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Contents

ALMANAC
Issue 10 (2018)

I. GREAT NAMES AND TRADITIONS OF NAM “PROF. PANCHO VLADIGEROV”

Essay on Dimitar Tapkov’s Personality and Cause
(90 Years Since the Composer’s Birth)
Natasha Yapova

II. MUSIC THEORY AND HISTORY

Auditory Analysis: An Indispensable Subject in the Music Education or а Trojan Horse of the Exaggerated “Modern” Pedagogy? A New, Additional Pedagogical Tool or a Separate, Independent Subject?
Violaine de Larminat (University of Music and Performing Arts – Vienna)

The Concept of Musical Material: From Adorno to the Present
Ludmila Leipson (Free Waldorf School Flensburg,
Novosibirsk State Conservatory “M. I. Glinka”)

Ivan Hlebarov’s Music Historiography between Marxism and Nationalism: “Bogomilism” and its Demise
Patrick Becker-Naydenov (Berlin University of the Arts)

Approaches to the Understanding of Formal Function Polysemy in Small Structural Units and Song Forms
Snezhina Vrangova

On the Matter of musica ficta and its Application in the Lute Intabulations of the 16th Century. With Attention to the Madrigal O s’io potessi donna from Wurstisen lute book
Yavor Genov

Fighting “Avant-Guarde Dictatorship”: Bulgarian Communist Party’s Kernel Organization as a Parallel Power Center inside the Union of the Bulgarian Composers 1965 – 1969
Angelina Petrova

Administrative Governance of the Peoples’ Amateur Music and Art Related Activities in Bulgaria between the Autumn of 1954 and 1960
Goritza Naydenova

III. PERFORMANCE PRACTICE

The Vocal Ballad in the Works of Stanisław Moniuszko – Genre Fundamentals and Interpretation Aspects
Elena Karaliyska-Trapkova

Lubomir Pipkov’s Late Piano Cycles in the Context of His Overall Œvre
Alexander Vassilenko

Interpretive and Analytical Approaches in “Keyboard Triptych” by Julia Tsenova
Gergana Nestorova

IV. DÉBUTS

Historical Development of the Three-Stringed Double Bass and its Application in Contemporary Instrumental Practice
Hristo Ovcharov