Introduction   Recent decades have seen an increased scholarly interest in musicology as a discipline. Contributions to the history of musicology encompass an area that stretches from early-modern discourses or 18th-century debates among the first music historians to recent attempts of introducing post-colonial critique into the discipline. As far as the 20th century is concerned, […]

1951, I finished my Second Symphony for wind instruments. […] This new symphony is the first Bulgarian dodecaphonic composition. The use of different forms of dodecaphony by me and the following generations began with it.[1] Konstantin Iliev   Introduction   According to Konstantin Iliev, his Second Symphony for wind instruments, percussion, harp, and piano from […]