Ivan Hlebarov’s Music Historiography between Marxism and Nationalism: “Bogomilism” and its Demise
Introduction Recent decades have seen an increased scholarly interest in musicology as a discipline. Contributions to the history of musicology encompass an area that stretches from early-modern discourses or 18th-century debates among the first music historians to recent attempts of introducing post-colonial critique into the discipline. As far as the 20th century is concerned, […]